Long Shot Shows all or most of a fairly large subject (for example, a person) and usually much of the surroundings. |
Master shot Is usually the first shot of a scene. It is a wide shot which covers all the action and speech in the scene and establishes context. |
Point of view shot is usually the first shot of a scene. It is a wide shot which covers all the action and speech in the scene and establishes context. |
Over the shoulder shot Is a shot Looking from behind a person at the subject, cutting off the frame just behind the ear. The person facing the subject should occupy about 1/3 of the frame. This shot helps to establish the positions of each person, and get the feel of looking at one person from the other's point of view. A variation of this shot can be a bit wider and include the shoulder of the person facing the subject. |
Birds Eye Andgle Shot This shows a scene from directly overhead, a very unnatural and strange angle. Familiar objects viewed from this angle might seem totally unrecognisable at first (umbrellas in a crowd, dancers' legs). This shot does, however, put the audience in a godlike position, looking down on the action. People can be made to look insignificant, ant-like, part of a wider scheme of things. Hitchcock (and his admirers, like Brian de Palma) is fond of this style of shot. |
Two Shot Is a shot showing two characters in the scene. It usually involves a dialogue sequence between the two characters. |
Low angle Shot places camera below the character, exaggerating his or her importance |
High Angle The camera looks down at a character, making the viewer feel more powerful than him or her, or suggesting an air of detachment. |
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